Genre: Realistic Fiction
Culture: Mexican American
Book: Martinez, Victor. (1996). Parrot
in the Oven: mi vida. New York: HarperCollins.
Level/Age: YA (ages 12-20)
Synopsis: The protagonist of this book is fourteen
year old Manny Hernandez. The reader is
presented with a look at his life at home, his family dynamics, his
neighborhood, and the navigation of his social realm. His father, an abusive, unemployed alcoholic,
frequents the local pool hall, where he drinks away what little money the
family does have. We journey with Manny
through life-shaping events of his adolescence, including the arrest of his
father, an accident in the home involving a loaded rifle, bullies in his
barrio, a sympathetic white teacher, the death of his grandmother, his sister’s
teen pregnancy and subsequent graphic miscarriage, direct racism from white
peers, and a gang initiation. The most
formative event of the novel involves the aftermath of a mugging that Manny is
involved in.
Response: I felt that the character of Manny
Hernandez was not fleshed out. He never
took on human form for me. Each scene in
his life seemed to happen to him, but he never happened to it. There was a lack of reaction or internal
dialogue in the character of Manny. Many
powerful events happened, such as his sister’s miscarriage, and he had limited
emotional reaction. This event, like
others, was described in detail, but not brought to life. The back cover synopsis describes Manny as
wanting to be a vato firme, the kind
of guy people respect, and wanting to decide what happens to his own life, and
yet one could read the first 212 pages of this 216 page book and not come away
with this conclusion, as he effectively comes across as a passive bystander in
his own life story.
Suggested
Extension Activities: This could
possibly be used for a study of character development, or a study of adolescent
struggles in various cultures. Even
though I didn’t connect with the protagonist, I would definitely feature this
book in displays for Hispanic Heritage Month (mid-September to mid-October),
and start a dialogue with my patrons who check it out, to see if they can
provide me perspective that I may be missing.
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